Yesterday, Hildegard Westerkamp shared this story on the Acoustic Ecology listserv, and I thought it might be worth sharing with a larger audience. Although I might not share Westerkamp’s views on the nature of listening (“But does anyone actually listen to the music – or to the intent behind the music, for that matter?”), her letter is a poignant critique of muzak’s insidious power of anesthetization and distraction.
Without further ado…
Dear Colleagues and Friends,
Today is Earth Day, a perfect day to share with you a letter I just wrote to the PlayNetwork after they approached me to use one of my compositions for background music purposes! Imagine Gently Penetrating beneath the sounding surfaces of another place – that’s the piece they requested as a starter – at Starbucks!
Here is the letter (The irony was just too enormous for me not to respond in this fashion!):
It seems rather strange and ironic that I would be approached to add my music to the libraries of the background music market. My compositions do not lend themselves at all to be heard as background music, and I will certainly not make it available. Thank you for the offer, but it goes absolutely against everything that I am trying to do as a composer.
Background music insidiously distracts people from the real social, environmental and cultural issues in this world. The Muzak Corporation and all other leased music companies have been rather successful in creating obedient consumers (and workers) for decades now, who essentially and with deaf ears provide the huge profits that are being made through the creation of background music atmospheres. How is it, that millions of so-called listeners (or ‘impressions’, as you call them in your email below!) have been convinced that they cannot live without music during every day of their lives. But does anyone actually listen to the music – or to the intent behind the music, for that matter? No, of course not. It has been the corporate intent all along, to create audiences who do not listen, who swallow any musical sound presented to them and thus enable the profit-making of the background music industry.
In a world in which environmental and social issues are emerging everywhere, alert ears and minds are needed to notice and counteract these grave conditions. The ongoing efforts by the background music industry to ‘soothe’ its audiences into false comfort and numb ears and minds into a kind of haze of inattention, are outright irresponsible and rather sinister under these urgent circumstances in which our world currently finds itself.
In your email below you say please consider the environment before printing this email. Equally, please consider the acoustic environment and the ears and mental sanity of your listeners, before continuing to devalue the real quality of music and the world’s acoustic environments. In that spirit, I will not contribute my music to PlayNetwork, and thus will not become part of a “brand that moves consumers” as it says so poignantly on your website. I also have not printed your email.
I am pretty convinced that no one at PlayNetwork has actually listened to my music, and that this request does not come from an informed listener, but rather from the corporate context of collecting as many ‘tunes’ or ‘songs’ as possible for the purpose of making profit.
With best regards,