Blog Archives
In the wake of Mark Fisher’s death, I’ve found Kodwo’s recent work on interpretive communities incredibly compelling. Not least as a means to understand what it is about Mark’s work – his way of working – that draws me (and … Continue reading →
07. February 2018 by ewé
Categories: Uncategorised |
Tags: accelerationism, afro-futurism, afro-futurism 2.0, afro-pessimism, AltWoke, black accelerationism, black feminist poeticism, black quantum futurism, cyber-feminism, cybergoth, eliminitivism, forensic architecture, gulf futurism, hauntology, inhumanism, Interpretive Communities, Kodwo Eshun, L/ACC, left accelerationism, Mark Fisher, neo-reaction, NRx, R/ACC, right accelerationism, sinofuturism, speculative realism, U/ACC, unconditional accelerationism, xenofeminism |
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Note: deadline extended to the 1st of August 17-19 November 2017, Toronto (Canada) Organized by The Occulture (David Cecchetto, Marc Couroux, Ted Hiebert, Eldritch Priest and Rebekah Sheldon) If the din of sonic and vibrational ontologies has catalyzed a salutary … Continue reading →
24. June 2017 by ewé
Categories: Academia, CFP, Conferences |
Tags: Canada, David Cecchetto, Eldritch Priest, Marc Couroux, Rebekah Sheldon, Ted Hiebert, The Occulture, Toronto, TSPEC, TSPEC5, TSPECV, Tuning Speculation |
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I found this talk Will Schrimshaw did at Tuning Speculation: Experimental Aesthetics and the Sonic Imaginary in 2013 – a conference that had a lot of talks by people whose work I am still getting acquainted with. The term infraesthetics … Continue reading →
25. February 2016 by ewé
Categories: Academia, Sonic Materialism, Sound Studies |
Tags: Felìx Guattari, Gilles Deleuze, Infraesthetics, Sound Art, Vibrational ontology, Will Schrimshaw |
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»So all of these festivals that the film looks at, they are more or less – in my mind – run by people who come out of the late 80s and early 90s. The European techno scene. And that idea … Continue reading →
15. February 2016 by ewé
Categories: Festivals, Interviews, Music |
Tags: AFTRYK, Cimatics, CTM, Cynetart, FutureEverything, Insomnia, Jacques Attali, Musikprotokoll, Nathan Budzinski, Seismograf, Skaņu Mežs, SØS Gunver Ryberg, The Wire, Theo Cook, TodaysArt, Unsound |
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Recently, this website has been doing the rounds on sound and archive-related circuits. The Museum of Endangered Sounds was created in »January of 2012 as a way to preserve the sounds made famous by [Brendan Chilcutt’s] favorite old technologies and … Continue reading →
03. February 2016 by ewé
Categories: Archives, Sound |
Tags: Archive.org, Brendan Chilcutt, ICQ, Jason Scott, Lori Emerson, media archaeology, Museum of Endangered Sounds, sound archive |
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The second meeting of the Colloquium for Sound & Sensory Studies kicks off on Thursday. This time, I will be presenting my PhD-research project proposal, while Stina Hasse and Rasmus Holmboe will lead a discussion and communal reading of “Veils,” … Continue reading →
22. September 2015 by ewé
Categories: Academia, Colloquium for Sound & Sensory Studies, Sonic Materialism, Sound Studies |
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»Gradients (i.e., a spectrum) of light have long been rendered accessible through comparison of musical pitch with color; such ideas survive today in various understandings of sound color, synesthesia, and how color and sound might physically or metaphorically correlate through … Continue reading →
13. September 2015 by ewé
Categories: Academia, Sound Studies |
Tags: Alvin Lucier, Douglas Kahn, Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts, Electromagnetism, Isaac Newton, James Turrell, Robert Barry, The Electrical World |
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This is the second in a series of posts concerning the theories of what Jonathan Sterne would call ‘sound students.’ This is my humble attempt to grasp the (no-longer-so-)budding field of sound studies and develop a theory of sonic affect. … Continue reading →
02. September 2015 by ewé
Categories: Academia, Sonic Materialism, Sound Student Series, Sound Studies |
Tags: Afrofuturism, Alfred North Whitehead, Brian Massumi, Felìx Guattari, Gilbert Simondon, Gilles Deleuze, Graham Harman, Henry Torgue, Infrasound, Jean-François Augoyard, Jonathan Sterne, Kodwo Eshun, LRAD, Sonic Warfare, Steve Goodman, Ultrasound |
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This is the first in a series of posts concerning the theories of what Jonathan Sterne would call ‘sound students.’ This is my humble attempt to grasp the (no-longer-so-)budding field of sound studies and develop a theory of sonic affect. … Continue reading →
24. August 2015 by ewé
Categories: Academia, Sonic Materialism, Sound Student Series, Sound Studies |
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